a5c7b9f00b In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.
Taking place in a dystopian Australia in the near future, Mad Max tells the story of a highway patrolman cruising the squalid back roads that have become the breeding ground of criminals foraging for gasoline and scraps. When his wife and child meet a grisly end at the hands of a motorcycle gang, Max sets out across the barren wastelands in search of revenge.
Imagine a tribesman wandered in from the wild, given paint and canvas, asked to paint something, and he starts flinging paints around, smearing it on himself, on the walls, the floors, some of it lands on the canvas. It's not painting in any sense we happen to know, it's still performance art of its own, the whole roomthe canvas.<br/><br/>And this one's so utterly bizarre it gives me some of that sense. They had little money to make it, they made a cartoon so they could cut corners of realityneeded. It's exploitation around cars, with a story of simple revenge, later retrofitted to be the first chapter of a saga. Gibson is not an actor at this point. The worldview is crude, offensive even. The whole world of the film, the change of scenes, why some characters do things, these are at times almost random. <br/><br/>Their filmmaking material wasprimitivepaints and canvas. But everything here is the tribesman's manic energyhe flings paints around, shards of image flying everywhere. It means little in the sense we understand meaning. The power of motion and editing, roads being gobbled up by barreling cars, the heavy metal of crashes, it's all so visceral, it manages to transfix anyway and stand above most exploitation, because it has put all this energy in.<br/><br/>It seems like young Raimi and Jackson must have sat down and paid notice, then about to start on their own gonzo paths.
There appears to be a significant number of fans of "Mad Max" franchise who just don't happen to like "Mad Max", the original film. And after watching the fourth installment the other day, I'm beginning to suspect that George Miller, the director, may be one of them himself!<br/><br/>All three latter films were done on a big budget and all share the same post-apocalyptic setting with one and only premise - crazy action. We're talking about the world of freaks in freaky costumes, lots of high-octane car chases and lots and lots of violence. Big budget seemed to ensure Miller and co. can squeeze in everything they can possibly think of - in terms of attractive fights, stunts and explosions - but at the expense of coherent plot, developing characters that are not cartoon caricatures… and Max himself. Already in 1981 in the second installment, "the Road Warrior", Max was lightly swept asidethe main character to give way to big chases and extravagant villains. By 2015 he all but disappeared, while a female lead carried the film through.<br/><br/>But before that, before the "franchise" crossed the border into grotesque charade, "Mad Max" was truly a film with meaning. It was set in near, pre-apocalyptic future (famously "Few years from now…") and, true to the 70's, offered a grim visage of decline of societal orderwe know it. Police force is a ragtag bunch, only slightly better than marauding hordes they confront daily. Much like Harry Callahan in "Dirty Harry", Max Rockatansky is haunted by the question - how different he really is from villains he pursues? Like Callahan he is pushed into discovering the answer by set of horrific circumstances. After a bunch of really spooky psychopaths kills people he holds dearest, he sets on a revenge that will put him on the other side of the law. Although this outline may, and does, sound like a cliché, it is filled with poignant scenes, clever dialog and colorful, yet believable, characters which make it feel really real. The proceedings and the resolution are brutal and merciless in a way that isn't commonly seen in an A-film. The whole experience is gripping, and even if there weren't car chases in it, it would at least make for a quite suspenseful horror. Combination of the horror and the brilliantly executed chases, however, are what made "Mad Max" revolutionary, influential and, in my eyes, unforgettable. True classic on all counts, and I don't use that word lightly.<br/><br/>Now it turns out its depths and achievement may have been the result of an accident - the fact that the budget was too tiny for a pure action spectacle! But it's all the better for that! George Miller may have gone on to things that are more suitable for his flamboyancy, but what he has done here, with help of co-writer James McCausland and producer Byron Kennedy, is a true testament to his guts and visiona writer anda director.
The film belongs to the director, cameraman and stunt artists: it’s not an actor’s piece, though the leads are all effective.
Yes, Max's boss mentions that "Goose bought it.". The Doctors talking about Jesse are convinced that she will die because her injuries are severe. The doctor instructs the nurse to re-assure Max that Jesse will be pull through. However, Max was right outside the room and overheard them talking about the extent of her injuries and that she won't survive. Basically no, but there is one version with two audio differences; the first being the original Australian accented soundtrack and the second being the American dubbed soundtrack.<br/><br/>Apart from dubbing the entire movie because Americans might find Australian accents difficult to understand, "Mad Max" in North America was completely the same cut. The original Australian dialogue soundtrack was released for the North American DVD premiere in 2000. The Night Rider probably experienced an acute onset of depression because he'd finally met an opponent who might catch him or matched him for driving ability. Also, he probably felt he couldn't escape. It actually adds another element of humor to the scene.<br/><br/>It is also likely that he was relying on his reckless naturean advantage to outmaneuver the police. Along comes an officer who beats him in a game of chicken, and who is also driving a patrol car that can catch up to the one he is driving from a dead stop, and he knows that he isn't likely to get out of this alive. Max' wife mentions that he has been on the news several times, it is also possible that Nightrider recognized the notorious Max in his rearview mirror. Barring all else, Nightrider is shown to be quite psychologically unstable, screaming like a lunatic in nearly every shot in which he appears. Merely losing the game of chicken may have been enough to damage his fragile psyche to that degree. "A FEW YEARS FROM NOW…" but a specific year is never mentioned and so the exact year is left ambiguous, with signs of society breaking down. The film was influenced by fuel shortages in Australia in the mid-1970s due to the 1973 OPEC Oil Crisis, which led to several violent incidents throughout the country. No. It's an original story by director George Miller and his writing team. However, it's believed Miller did base it on riots that took place in 1970s Australia over fuel shortages and the muscle car culture that was popular back then. The UK theatrical version was cut in one scene . This version was used for the old VHS by Warner from 1986. All other VHS and DVD releases are uncut. Approx. 50 seconds are missing in this version. The title could have a double-meaning, some viewers interpret MaxMad-angry, while others find he is mad-crazy. Both interpretations could be correct. Throughout the film Max tells his boss that he feels that he needs to quit the Bronze because he's starting to enjoy the carnage and mayhem that the job entails. Max feels that if he starts to enjoy it, he's gone crazy and is no better than the criminals. At the end of the film, after his wife and son are run down, Max snaps and likely becomes infuriated at their deaths, which prompts him to seek revenge on the Toecutter gang. After dispatching everyone in the gang, he handcuffs Johnny the Boy's ankle to a wrecked vehicle with a leaking gas tank, he then sets up a fuse, and gives Johnny a hack saw, telling him he can try cutting through the chain or cut through his ankle. Johnny screams at Max, calling him a bloody mad man.
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